Assessment in Architecture

Design review + moderation

Rachel Hurst and Jane Lawrence
University of South Australia

 

Discipline Area

Architecture

Key assessment issue addressed

Clarifying student expectations and moderating assessment.

The initiative

The design review + moderation process for all interior architecture and architecture studios has been operating for approximately five years in the School. During that time a number of modifications and refinements have been made in order to respond to changing student numbers, studio types, amount of display area etc. Responses from student focus groups indicate however that some students are still unclear about the purpose and structure of the process. This document addresses those questions most frequently raised by students about design week.

What is design review?
Design Week which includes Exhibition, Review + Moderation is a process in which all design studios for Architecture and Interior Architecture are presented for public exhibition and academic evaluation at the end of each semester. Students will receive a preliminary grade at Week 12 assessment. A moderation process is conducted in Week 14 by a jury panel of all design staff and invited external lecturers. This process allows level 2 and 3 Architecture to present their work to a panel and other students. Level 2 +3 Interior Architecture is moderated in camera. The grade can stay the same or be adjusted up or down depending on moderation.

Why do we have it?
The purpose is to broaden the process of assessment, ensure parity of workload between studios, fairness of marking and nationally benchmark the School. The exhibition serves to promote cross-disciplinary activity between students and staff, and to enable students to take pride in displaying their work, see the work of other level studios and invite friends, parents, partners etc to view the work too.

What is the purpose of the final submission at week 12?
The purpose of the submission at Week 12 is to assess your work based on drawings, models, verbal presentation and give critical feedback, from tutors and other invited guests related to your studio, on what elements of your scheme could be improved for exhibition purposes. It gives you a chance to see your work completed on the wall with some opportunity to improve the communication of it over the next week. The feedback you receive will be verbal, however you are expected to take notes or get a friend to scribe while you listen.

What is the purpose of the exhibition pin up at week 13?
The exhibition pin up at Week 13 is to display your work in the best possible way, ready for review and moderation, having had some time to reflect and improve on the presentation, and to enjoy seeing the work of the whole School when you've had a chance to have some sleep! It's also a chance to celebrate the end of the production stage and get your family, friends, partners etc in to see the results of your labours.

What is the role of the moderator?
The moderator's role is to arbitrate, particularly at the extreme ends of grades and at change of level. They provide a reference to standards at other universities ie to benchmark the School against national standards. This helps the continuing accreditation of our programs and hence the national and international status of your degree. They also provide a written report of their findings which helps in planning and reflecting on the studios offered, avoiding disparity between studios and omissions in critical areas etc.

Who are the moderators?
They are academics chosen because of demonstrated experience and breadth of understanding of design studio, design teaching generally and ability to deal with students work fairly and respectfully. The School choses academics from other design schools nationally, and this year one from New Zealand, to cover the range of other design institutions. They aren't paid to come, apart from fares + accommodation, but come out of academic and professional interest.

What do the moderators know about your work?
Moderators are briefed with studio outlines several weeks beforehand. They begin the week with an overall review of studios and outline from each studio supervisor about the intentions, process + strengths/weaknesses of the studio. Generally the moderators will see the work from the latter half of the semester (~60% of your total grade) because of the limitations on display space. They are however informed about prior parts of each studio and will have been given a summary assessment sheet from your studio supervisor detailing your progress (and year level where applicable) through the semester.

How much time does each student have to present their work?
The design week schedule is set up to attempt to allocate time fairly + evenly, with priority given to higher level studios. In architecture and final year interior architecture each studio is given a block of time in the order of 2 - 3 hours for students to speak to their work. It is necessary to keep time strictly within those blocks. This is part of the discipline of working within a given constraint. The intention is that studio supervisors inform you ahead of time, at Week 12 final submission, how much time you will have and what the running order will be, so that you can be prepared with your verbal presentation. In most cases it will not exceed three minutes per student, and is intended as a structured supplementary to your drawings rather than a discussion or extended critique. This encourages a standard to the design and the drawn/modelled presentation where the work must speak for itself, as if for a competition.

Who is on the moderating panel?
The panel includes all design staff in order that your work gets a broad and balanced assessment, and that each stream of the program (design; technology; history/theory; communications) is represented by staff. It also gives students practice at presenting to a group of people who are not as familiar with your design as your studio supervisor and tutors will be, just as you will have to do in practice. The other reason for involving all staff is that it is the one occasion each semester where staff can see the whole range of studios and your work at its best, without conflicting teaching, research or administration responsibilities.

What are the criteria used for moderation?
The assessment criteria for each studio are those set out in your original handout, and agreed to by design staff at the design preview that takes place at the very beginning of each semester.

Who makes the final decision about the grade?
The principal responsibility for the grade rests with the panel. The studio supervisors' provisional grade takes into account their knowledge of your process and performance through semester and their comments are given most weight during the in camera moderation process that takes place after each studio has been presented.

How much can moderation change the provisional grade given at final submission?
In the majority of cases the grade doesn't change, provided work has been submitted for final submission and provisionally graded. Historically, where the grade has been changed, it has generally not shifted more than a grade, approx 50/50 up and down. In rare cases, or particularly in cases of non-submission at Week 12, the shift has been more. Because of this possibility, there is no set limit to how much moderation can change a grade.

Why aren't level 1 studios moderated?
Level 1 studios aren't externally moderated in part because of the large numbers of students involved. They are however moderated internally by a panel made up of studio supervisors and tutors (5 - 7 staff in total). There is also no choice of studios at this level so there is no need to ensure parity between different choices.

What else does the School do to monitor studio choice and parity?
Before each semester each discipline runs Design Preview where staff present detailed outlines and written handouts of forthcoming studios. These are reviewed and refined by the discipline to check that appropriate aims, content, process, workload and assessment are being set.

Further details

Rachel Hurst and Jane Lawrence
Louis Laybourne-Smith School of Architecture & Design
University of South Australia
Rachel.Hurst@unisa.edu.au
Jane.Lawrence@unisa.edu.au


 
 

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