Assisting international students

Navigating the thickets of theory: a tutorial for international students

Pamela Zeplin
University of South Australia

Discipline Area

Visual arts & design (history & theory)

Key assessment issue addressed

Assisting international art & design students' skills in art discourse

The initiative

In 2001 a special, weekly one-hour tutorial for first year international students was initiated within theory courses, Representing Visual Culture, and From Daguerrotype to Digital core courses within the Bachelor of Visual Communication program. The international tutorials are provided in addition to compulsory one hour tutorials which include both national and international students. International students are not compelled to attend special tutorials but attendance was consistently high (averaging 10 out of 15 students).

The program is co-ordinated through a special international student officer, in connection with the portfolio leader: student support and equity, and the former liaises with lecturers and tutors in the two theory areas. 1n 2001 we selected as tutor, a young, dynamic honours graduate, of Iranian ancestry, who is undertaking PhD research in indigenous art. Using the (extensive) course handbook/reader, the tutor set up an informal but structured support and discussion program which gave students an opportunity to more fully discuss theoretical material, assessment queries and problems - issues which are not adequately addressed in larger tutorials

In this supportive environment students developed, in collaboration with the tutor, priorities which assisted their learning outcomes. With more confidence and time to discuss their particular needs, students' attitudes to art and design theory - not a part of art school curricula in most of their countries - and in Australian English, dramatically improved.

Formal written evaluations of the special tutorials were excellent (95% scoring 4-5 out of 5). Informal evaluations with the tutor followed, revealing open and frank criticism of aspects of theory courses and further positive feedback on the value of the tutor and his sessions. Students commented on how these broke down isolation, fulfilled a social role in allowing them to feel part of the community. Significantly, nearly all students' grades improved and they were able to better participate in compulsory tutorials.

In first semester, 'normal' tutors marked their work; in semester 2, the 'special tutor' did this, in consultation with the former.

During the year, a number of related compulsory professional development workshops were run for all staff, on 'teaching NESB and international students'. These provided a learning environment more conducive to cultural diversity.

Student enthusiasm has led to offering extra second year tutorials in 2002, in a school suffering under significant deficit. The school considers this to be an encouraging start in addressing their stated needs.

The reason for the initiative's effectiveness

A non-competitive environment and supportive environment assisted international art students to succeed in a 'foreign' subject area.

Further details

Pamela Zeplin
Senior Lecturer, Portfolio Leader: Student Support & Equity
South Australian School of Art, University of South Australia
pam.zeplin@unisa.edu.au


 
 

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